The Simpsons made another certainly one of its late-period, seemingly random changes in narrative on Sunday evening by simply making Waylon Smithers, whose glass-closet homosexuality was one of several show’s longest operating gags, turn out.
Or, kind of: He sang a track about their thwarted love for their employer, nuclear-plant magnate Mr. Burns, which Homer overheard before contriving to create Smithers up by having a good man. One or tulsa gay sugar daddy websites more a reaction to the episode has argued that Smithers’ not being released (within the feeling of saying aloud it more empty-calorie sentimental that he was gay) was a major misstep, but I’d argue that stopping the entire episode for Smithers to deliver a speech would have been just about the only thing that could have made.
The bout of The Simpsons sought to win citizenship points for expressing a great and laudable point-of-view: If more and more people thought that homosexual individuals deserve become addressed as add up to the others of mankind, the whole world could be a place that is lovely! But there was clearly small stress in this saggy, baggy bout of tv, much less humor. Homer and Marge, starting their house to a gay mixer for Smithers’s benefit, had no viewpoint of something that took place within the episode apart from that it absolutely was all wonderful. None associated with the visitors have such a thing to express; the show’s accept as simple a target given that gay-dating software Grindr is always to acknowledge so it exists.
Additionally the episode’s fundamental lack of imagination about approaches to portray life that is gay may be summed up with one information: The guy Smithers eventually ends up with is really a fiery, lispy Latin bartender cut through the exact exact exact same fabric as Simpsons star Hank Azaria’s character into the 1996 movie The Birdcage. If you’re looking for a moment, George Takei was a visitor star, playing himself.
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The Simpsons, with its 27th period, wishes to alter aided by the times—as, most likely, it always has. Often it is merely to shake the narrative up, as whenever Marge’s sibling Patty arrived on the scene as a lesbian or whenever Ned Flanders was widowed. Then again, tropes which were appropriate whenever it started in 1989 found feel very nearly too uncomfortable to be broadcast down the road. The Indian convenience-store proprietor Apu, by way of example, ended up being according to broad racial humor at very very first. But later, episodes into the 5th and season that is seventh situate him as both an individual with real a few ideas and faculties away from their battle and, being an immigrant throughout the rising tides of 1990s right-wing paranoia, an individual at the mercy of changing governmental tides.
This is actually the kind of thing The Simpsons, during that which we can acknowledge as the most useful years, did specially well: Place established characters into conversation aided by the mores associated with time. Sideshow Bob operating for mayor due to the fact prospect of a goofily exaggerated Limbaugh-era Republican Party ended up being an example; Homer fulfilling an innovative new homosexual buddy (played by John Waters!) and arriving at terms together with his own disdain for gay individuals had been another. That episode had been prepared to court genuine risk and offense with its depiction of Homer’s bald antigay aggression—and its concluding moment of acceptance felt actually gained.
Given, it absolutely was difficult to find out quite just just how this need to happen handled. In the last few years, Smithers has felt often times like a little bit of a rude homosexual laugh; their fringe-y obsession with Mr. Burns ended up being their only explanation to occur, while even Principal Skinner had a richly drawn (if, yes, cartoonish) inner life. But one wonders if that is not preferable, for a show that’s a comedy, up to a smooth and airless acceptance with simply no comic point-of-view. After having been put up with a boyfriend by Homer and Marge, Smithers ultimately ends up obtaining the the one thing he’s always wanted: Approval from Mr. Burns.
It’s sweet as a elegance note might be for a show that’s stayed very very long sufficient in the party that any barbs about homosexual individuals can be too high-risk to pay dividends, however it’s additionally, to quote the opening series this week, “meh.” On a show whose dad figure is a buffoon out-of-step with courteous society, simple enlightenment is not simply impractical: It’s bad for comedy.